Between the lines: Call me by your name

You know I don’t usually do reviews buy I do talk about art and especially about the kind of art that has an impact on me. So, I had to talk about this film. Last week I went to the cinema to find out what all the talk was about. Who doesn’t love a good love story when it’s well made and different? Well, I was amazed to discover that this film is not just a love s tory, it is so much more than that. This week we are talking about a beautiful piece of art, Call Me by Your Name, the movie – I have not had the chance to read the book YET.-

Spoilers are about to pop up so in case you haven’t watched it yet, go watch it now and come back. I cannot think why someone wouldn’t love this one!

elio and oliver

What stands out the most for me – apart from the acting, which we will examine in a minute! – was the montage and the attention to detail from Luca Guadagnino – that is the director in case you don’t know! – . The way he builds the surroundings and he makes everything feel so familiar was spectacular but also the focus on the little things needs to be commented on. I adored those brilliant shots where we can see only a part of Elio’s hair or half of Oliver, or those scenes that allowed us to see everything from different angles, like we were there, wandering around the characters, observing. Other times the camera was so still and there was no need for the slightest movement.

I am going to mention a particular scene, the one when Elio is waiting for Oliver to return as he seats outside. The music (Futile Devices by Sufjan Stevens), the camera focus and the change of colours as the sun sets and his anticipation grows is one of the best sequences in the entire film in my opinion – actually one of my favourites in cinema history! -. The way everything builds up to that moment just makes you feel so close to the character, you find yourself waiting with him, wondering if Oliver is even coming back.

Since it was a film about a young man’s sexuality waking up, we could say it was built around bodies. Of course this was even more highlighted through the shots of the statues they were supposed to be studying. The body and even more so, in case of this film the male body, is an important theme of the film – and we do get to admire it for more than two hours in one of the sexiest films I’ve ever seen! It is the amazing chemistry between the two actors that makes such an atmosphere.


So, it is time to talk about the acting and… I don’t think there is any point to waist time and refer to anything else but the last four minutes of the film. Yes, you know what I am talking about! Timothee Chalamet coming face to face with the camera and showing the world what acting is about. It is definitely one the strongest endings we have ever seen. This indescribable performance is completely captivating and will not allow you to look anywhere else.What Luca Guadagnino does here is, he makes Elio turn his back to his parents (and the audience)  in order to isolate himself so he can cry. This highlights how personal this moment is. It has happened to me and I bet it has happened to you. It is a familiar feeling to feel like you want to isolate yourself so you can express your emotions freely. But as soon as he does that the camera invades this privacy. Us, the audience manage to sneak a peak of something few directors dare to show. Well, I’m sure not every actor is able to pull off what Chalamet does here, which is four minutes of letting us into his mind without words.

The aesthetics of the film is in my opinion perfect. That is a very personal opinion but the colours and the photography is magnificent. I love how slowly and organically it goes on from one act to another. This is not a short film but I wished it wouldn’t end. I just couldn’t get enough of the characters and the simplicity and familiarity of everything when at the same time I was unable to comprehend how carefully put together everything was.

Lastly, I want to mention a few more moments that led me to call this “my favorite film of the year”. When Oliver and Elio say goodbye, they actually don’t. They don’t speak at all. It is magnificent how everything up to that moment has made words unnecessary. When Elio watches the train leave, you expect Oliver to jump out somehow and start saying all the things we didn’t hear but silence remains. Silence as the gap that Oliver leaves in Elio’s life. That is not the moment I wanted to talk about though. It is that one shot when he gets home, the one he opens the door to confront the empty room. There is no need to show anything else. That one moment is enough to make the viewer feel the absence.

Of course, I couldn’t complete this article without mentioning the monologue of Elio’s father near the end. It is a beautiful moment that makes you realise things even about your own self. The end of course is devastating but still after the father’s monologue and after seeing Elio dancing around in his funky shirt, we kind of feel hopeful and because the film with all those little scenes like the one with the bicycles and the one with the piano – a personal favorite! – captures the feeling of falling in love for the first time perfectly, it also leave you with a smile and in the mood for love.














Between the lines: Piano Man

It was around midday last Sunday, I was putting my make-up on when a song started playing on the radio: Piano Man by Billy Joel. I usually really like songs that tell a story, so it caught my attention. While it was going on I realized it talked about something that has been on my mind a lot lately: the feeling that you don’t belong where you are and that you could be in a better place if circumstances were different or if you had handled situations better. I have come to realize that most if not all people feel like this in one way or another.

I played the song over and over to discover its secrets and since I wanted to make a blog post referring to this, I thought I could start from those wonderful lyrics.

The song builds a very atmospheric image of a piano bar on a Saturday evening. We see everything through the pianist’s eyes although we never learn much about him compared to what we hear about the rest of the people who are spending the night in the bar. The figures are almost stereotypical and we can probably recall them in our memory. We have probably come across them at some point.

As the pianist begins to explain what he sees, he starts describing an old man who seats near him drinking his gin and tonic – he actually uses the words “making love to his tonic and gin” which emphasizes his dependency on alcohol. The old man asks him to play a melody he knew as a young man. This person is the first one who is being described and is probably somehow the future self of everyone in that place. He listens to the piano full of nostalgia, missing a life he had but he was never able to appreciate at the time just like the younger people in the bar. He looks back at what everyone else turns away from and what he probably had turned away from when he was young: his life. Now, he only lives in memories hanging on a bottle and the tunes of the pianist that will somehow let him return to what he once was.

The next person we meet is John, the barman. He comes across as a very cheerful man He always has a joke to tell but deep inside he just feels trapped. He is a friend of the pianist so he can confess to him that he’d be a movie star if he wasn’t stuck at the bar. In this case, we, as the listeners, feel like he could change that. He dreams of being an actor but remains there doing nothing about it. Of course, we know nothing much about John’s life but we assume that if he wants it that bad, he could take a risk. He says that this life “is killing him”, so does he have something to lose if he takes a risk? Is his phantasy of being a famous actor really a desire? Or is it just something he uses to make himself feel somehow like a failure?

Two men are sitting somewhere near, Paul and Davy. Paul is a novelist who doesn’t have a family. We can assume he is a cynical and practical man, since the pianist describes him as a “real estate novelist” and he is taking to another man named Davy who still works in the Navy “and probably will be for life”. Of course that “still” is the magic word that changes the meaning of the lyric. It instantly gives us the sense that Davy wasn’t intending to stay at this job but for practical reasons, he stayed. He probably had bigger dreams. Maybe he would be a movie star just like John would but he’s there now and he’ll never know.

Lastly, Bill, our Pianist, refers to the waitress who speaks with a stoned businessman. They are both lost in their loneliness trying to fight it in meaningless conversations. In the end of the song, as we are almost seeing that bar in front of us, feeling the loneliness of every single person in there and knowing that they can only get away from it for as long as a song lasts – a song by the piano man  – something devastating happens. Someone approaches Bill and gives him a tip. Then he asks him “man, what are you doing here?”.

After we’ve seen everyone else through Bill’s eyes realizing how they’ve wasted their lives and they’ll probably never be happy, someone else comes to ask the question we’ve been too busy – thinking about everyone else – to ask. What is he doing there, in this sad, little bar filled with unhappy people looking to drown their problems in alcohol instead of admitting their wrong choices? Was that his dream all along? Is anyone where they were supposed to be? Is life an endless chain of mistakes we just keep trying to cover up? Is loneliness inevitable?

I thought of the song lyrics for days. I started noticing people around me wondering how they were experiencing loneliness or what were they settling for out of fear. Let’s not lie. At some point we all do. Or… can we chose not to?

have a magical day,


glance at the sky

by Elena Ktenopoulou

A little something you forgot to consider

When you look at the world you see a combination of brilliance and dirt altogether. It makes you want to get out and explore every single part of it, every possible human emotion and at the same time, it makes you want to run to bed and stay there forever. It’s like being in a huge library with a billion books. You wish you’ll choose the most fascinating ones, those that will teach you a lot and make you a wiser person but still… you cannot know the ending in advance. There’s always a risk.  It’s scary – terrifying actually – but I suppose life can give you a few things that are worth the “pain and the aches of the outcoming fortune” in the words of the Danish Prince.

It is incredible that you have all these choices concerning who you want to become and how you want to use your life in order to contribute to society. But what most people forget to mention when they talk about the endless possibilities is risk and fear. The smallest choice you make has outcomes. There’s never a win-win situation. You always have to face consequences, responsibilities and stand up for the path you took and for the person you are today.

We chose friends, behaviors, careers, lovers, places to live in and even ways to approach situations. Every little thing is crucial but there are some choices bigger than others. These are the choices that will change your life. When you stand in front of a choice this big, I tell you, it’s scary. Nobody mentions that. Everyone goes on and on about doing the right thing but… when you’re actually standing a step away from opening one door or another, you can’t see “right” or “wrong”. You can only see the regret at the end of each way and you’re afraid of it. There are paths that guarantee security and others that involve greater risk.

street artist.jpg

Making the step is hard. But no matter what you have been thinking so far, no matter what all the voices around you have been going on and on about, you have to take a step back and put yourself in the microscope. I don’t mean endless hours of worrying and re-thinking – which is something I am guilty of, to be honest – but to really stand across your deepest desire and ask yourself “Where do you want to go?”.

This process is usually so hard because we forget to keep in mind the fear that goes with it. It’s what we forget to consider when we make plans. Fear is usually a huge part of our choices but it shouldn’t be. Go with your gut. There is an instinct inside every one of us, we’ve just learned to ignore it over the years while trying to rationalize everything.

Remember back when you were a kid? You took one look at a person and you knew if you liked them or not. You went to ballet lessons for a week to find out you want to quit and then you tried piano and Italian and none of those were right for you. You knew and you were not afraid to admit you changed your mind. Nobody would call you a loser. Then, you finally tried tennis or playing the tuba and it was fun. You couldn’t see the time to go to practice. That’s what we suppress over the years, our pure instincts. We learn to like what we should like but, how will we ever be happy if we don’t risk walking the road our heart tells us it leads to happiness?

Charles Bukowski said “Go all the way” and he was right. If you don’t go all the way, you’ll never know. It takes a huge amount of courage to stop thinking of every little thing that can go wrong and focus on your pure desire. Don’t be afraid of it. Take a step on the path your heart points at. There must be some reason. Show it some trust and you’ll eventually find out why it took you there.

Have a magical day,

glance at the sky

by Elena Ktenopoulou

Never ending dream chase

When I was a kid, I couldn’t wait for the future. I would ask my mom how many days are left until I’m a grown-up – free to do what I want any time I want to. Little did I know… I had no idea that Peter Pan was right when he chose to stay in Neverland and I secretly wish I’d followed him when I still had the chance. But we grow… we become adults and take life in our own hands and those things that once seemed like a faraway dream, are now everyday worries, all written down in To-Do Lists on the refrigerator looking judgmentally at you day and night. What happened?

When you’re little, you dream, you idealize the future and somewhere inside you, you know that you will do everything right. You won’t make the stupid mistakes all the other grown-ups make. You’re so much wiser. You’ll succeed and thrive. It can’t be that hard when you’re free to do your own thing. Soon, life will prove you wrong and you’ll you might forget your great dreams somewhere along the way.

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Dreams are not only the most important thing of our childhood, dreams must remain a great part of our adulthood as well. The fast rhythm of life makes us lose our way and forget where we are going. We settle. We settle for safety, for comfort or because we are secretly afraid to find out what would actually happen if we had the courage to pursue that dream. We make up excuses that convince the rest but they’re never enough to convince ourselves. Deep down we all know they’re carefully made-up and brilliantly convincing lies. Not for our family or our friends who wonder why we changed our minds but for the kid in us asking why we ended up betraying that once-so-clear vision.

Taking risks in a world that never helps the ones who dream of something greater is hard. It takes everything you’ve got and yes… you might lose everything you gained with so much hard work but… there’s one slight chance if you trust that little dreamer you left behind somewhere on the way here, you’ll find the life you once thought you would have. Don’t you know that this is the one you deserve?


Dreams must play the role of a map or a compass in life. We must always look at them to tell us where to go. The journey is what will make us happy and complete but looking at that destination will keep us on the right path. It’s ok to change your mind and let your dream change as you evolve as a person but never settle for less and never give up. There is incredible strength in each of us. You’ll be surprised to find out how much of it is hidden in you. If you have dreamt it, even as a child, you do have what it takes to do it.

It might mean you’ll have to sacrifice comforts and time and even people in your life. But would you rather wonder forever?

have a magical day,

glance at the sky

by Elena Ktenopoulou