You know I don’t usually do reviews but I do talk about art and especially about the kind of art that has an impact on me. So, I had to talk about this film. Last week I went to the cinema to find out what all the talk was about. Who doesn’t love a good love story when it’s well made and different? Well, I was amazed to discover that this film is not just a love s tory, it is so much more than that. This week we are talking about a beautiful piece of art, Call Me by Your Name, the movie – I have not had the chance to read the book YET.-
Spoilers are about to pop up so in case you haven’t watched it yet, go watch it now and come back. I cannot think why someone wouldn’t love this one!
What stands out the most for me – apart from the acting, which we will examine in a minute! – was the montage and the attention to detail from Luca Guadagnino – that is the director in case you don’t know! – . The way he builds the surroundings and he makes everything feel so familiar was spectacular but also the focus on the little things needs to be commented on. I adored those brilliant shots where we can see only a part of Elio’s hair or half of Oliver, or those scenes that allowed us to see everything from different angles, like we were there, wandering around the characters, observing. Other times the camera was so still and there was no need for the slightest movement.
I am going to mention a particular scene, the one when Elio is waiting for Oliver to return as he seats outside. The music (Futile Devices by Sufjan Stevens), the camera focus and the change of colours as the sun sets and his anticipation grows is one of the best sequences in the entire film in my opinion – actually one of my favourites in cinema history! -. The way everything builds up to that moment just makes you feel so close to the character, you find yourself waiting with him, wondering if Oliver is even coming back.
Since it was a film about a young man’s sexuality waking up, we could say it was built around bodies. Of course, this was even more highlighted through the shots of the statues they were supposed to be studying. The body and even more so, in case of this film the male body, is an important theme of the film – and we do get to admire it for more than two hours in one of the sexiest films I’ve ever seen! It is the amazing chemistry between the two actors that makes such an atmosphere.
So, it is time to talk about the acting and… I don’t think there is any point to waist time and refer to anything else but the last four minutes of the film. Yes, you know what I am talking about! Timothee Chalamet coming face to face with the camera and showing the world what acting is about. It is definitely one the strongest endings we have ever seen. This indescribable performance is completely captivating and will not allow you to look anywhere else.What Luca Guadagnino does here is, he makes Elio turn his back to his parents (and the audience) in order to isolate himself so he can cry. This highlights how personal this moment is. It has happened to me and I bet it has happened to you. It is a familiar feeling to feel like you want to isolate yourself so you can express your emotions freely. But as soon as he does that the camera invades this privacy. Us, the audience manage to sneak a peak of something few directors dare to show. Well, I’m sure not every actor is able to pull off what Chalamet does here, which is four minutes of letting us into his mind without words.
The aesthetics of the film is in my opinion perfect. That is a very personal opinion but the colours and the photography is magnificent. I love how slowly and organically it goes on from one act to another. This is not a short film but I wished it wouldn’t end. I just couldn’t get enough of the characters and the simplicity and familiarity of everything when at the same time I was unable to comprehend how carefully put together everything was.
Lastly, I want to mention a few more moments that led me to call this “my favourite film of the year”. When Oliver and Elio say goodbye, they actually don’t. They don’t speak at all. It is magnificent how everything up to that moment has made words unnecessary. When Elio watches the train leave, you expect Oliver to jump out somehow and start saying all the things we didn’t hear but silence remains. Silence as the gap that Oliver leaves in Elio’s life. That is not the moment I wanted to talk about though. It is that one shot when he gets home, the one he opens the door to confront the empty room. There is no need to show anything else. That one moment is enough to make the viewer feel the absence.
Of course, I couldn’t complete this article without mentioning the monologue of Elio’s father near the end. It is a beautiful moment that makes you realise things even about your own self. The end of course is devastating but still after the father’s monologue and after seeing Elio dancing around in his funky shirt, we kind of feel hopeful and because the film with all those little scenes like the one with the bicycles and the one with the piano – a personal favourite! – captures the feeling of falling in love for the first time perfectly, it also leaves you with a smile and in the mood for love.
have a magical day
by Elena Ktenopoulou
(I do not own those pictures)